Raven Arbuckle is an Indigenous 2 Spirit artist who lives in Albuquerque, New Mexico. Raven has a Bachelor of Fine Arts and Illustration from the Rocky Mountain College of Art and Design. The artist's description of Winter Ceremonials I: "The first painting to come out of 2021, this piece is an introspective on the ability to develop and dream in a hidden and internal space. Going to ground and allowing natural growth to happen silently and out of view of the world, to experience and envision things that are only accessible when traversing the internal landscape, which is not to be shared with everyone."...
Raven Arbuckle is an Indigenous 2 Spirit artist who lives in Albuquerque, New Mexico. Raven has a Bachelor of Fine Arts and Illustration from the Rocky Mountain College of Art and Design. Raven's description of Sentinels: "This painting is based on a frequent dream I have of a world with a red sky, populated by tall stone monoliths. These monoliths sometimes emit almost musical humming sounds, and become different beings, which are rooted to the spot. A thread sometimes passes through them, weaving over the landscape, always through the stones. This work did not come together for almost two years and marks an ending and a beginning for me. The first version of this painting was the last work I made before taking a hiatus from art making. I was burned out and had lost my grasp on any kind of unifying vision or subject. When I eventually came out of this period, I was given the opportunity for my first solo exhibit, and I returned to finish the work."...
Raven Arbuckle is an Indigenous 2 Spirit artist who lives in Albuquerque, New Mexico. Raven has a Bachelor of Fine Arts and Illustration from the Rocky Mountain College of Art and Design. Raven's description of Writhing: "This piece is based on the gestural movements of Butoh, a contemporary form of Japanese theatrical dance that emerged after the bombing of Nagasaki and Hiroshima. The dance is a response to the immense grief of the Japanese experience as a result of the horrific actions of the United States government. Butoh dancers paint themselves white, like ash, and strip dance of its politeness and is disloyal to traditional aesthetic expectations. Characterized by slow contorted movements, each flowing into the next and pushing the body to strange limits of position. I grew up near the White Sands, where the first atomic weapons were tested. From the top of the mountain our house was on, you could look out into the basin and see the crystal sands glowing in the distance - somehow looking like fog and water at the same time. I would think of Japan often then, and this art form that emerged has become a beloved source of reference for expressive form and gesture. In this piece, the figure is entwined with the crawling roots of a tree, earth reaching up to connect with body, two becoming one again, both damaged in the bombing."...
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